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Data Mining III (Management Information Systems (Wit Press), V. 6.) Wit Pr/Computational Mechanics? Italy) International Conference on Data Mining 2002 (Bologna? A. Zanasi? C. A. Brebbia? N. F. F. Ebecken? P. Melli? WitPr/ComputationalMechanics? Italy)InternationalConferenceonDataMining2002(Bologna? A.Zanasi? C.A.Brebbia? N.F.F.Ebecken? P.Melli? ジャンル別? ユーズドブック(洋書)-Computers&Internet? Subjects-Computers&Internet-Programming-General? Subjects-Computers&Internet-Databases-DataStorage&Management-DataMining? Subjects-Computers&Internet-Databases-General? Subjects-Computers&Internet-General? Subjects-Science-Technology-General&Reference Advances in Dynamics and Impact Mechanics (Impact Damage on Structures) Wit Pr/Computational Mechanics? G. Nurick? C. A. Brebbia? WitPr/ComputationalMechanics? G.Nurick? C.A.Brebbia? ジャンル別? ユーズドブック(洋書)-Engineering Subjects-Engineering-Aerospace-AdvancedMechanics? Subjects-Engineering-Civil-Mechanics? Subjects-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Civil-Mechanics? Subjects-Professional&Technical-Engineering-Aerospace-AdvancedMechanics? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Professional&Technical-ProfessionalScience-Physics-Dynamics? Subjects-Science-General Subjects-Science-Physics-Dynamics-General? Subjects-Science-Technology-General&Reference Handbook of Green's Functions Matrices Wit Pr/Computational Mechanics? V. D. Seremet? V. D. Sheremet? WitPr/ComputationalMechanics? V.D.Seremet? V.D.Sheremet? ジャンル別? Subjects-Professional&Technical-ProfessionalScience-Mathematics-PureMathematics-Calculus? Subjects-Science-General Subjects-Science-Mathematics-Matrices? Subjects-Science-Mathematics-Reference? Subjects-Science-Mathematics-PureMathematics-Calculus? Subjects-Science-Mathematics-Applied-General? Subjects-Science-Technology-General&Reference Ace Inhibitors Current Use Future Taylor & Francis Group? Schachter? Taylor&FrancisGroup? Schachter? ジャンル別? ジャンル別-mirror-test-test-subtier-Cardiovascular? ユーズドブック(洋書)-Medicine? Substores-UnknownASINs-38? Subjects-Medicine-Diseases-Cardiovascular? Subjects-Medicine-Pharmacology-General? Subjects-Medicine-Specialties-Pathology-LaboratoryMedicine? Subjects-Medicine-InternalMedicine-Cardiology? Subjects-Professional&Technical-Medical-BasicSciences-Pharmacology? Subjects-Professional&Technical-Medical-Medicine-InternalMedicine-Cardiology? Subjects-Professional&Technical-Medical-Medicine-InternalMedicine-Pathology-LaboratoryMedicine? Subjects-Science-General Subjects-Science-Technology-General&Reference Subjects-Science-Medicine-Diseases-Cardiovascular? Subjects-Science-Medicine-Pharmacology-General? Subjects-Science-Medicine-Specialties-Pathology-LaboratoryMedicine? Subjects-Science-Medicine-InternalMedicine-Cardiology? Atlas of Surgical Techniques on the Hand Wrist Taylor & Francis Group? Tubiana? Taylor&FrancisGroup? Tubiana? ジャンル別? ユーズドブック(洋書)-Medicine? Substores-UnknownASINs-38? Subjects-Medicine-Specialties-Pathology-LaboratoryMedicine? Subjects-Professional&Technical-Medical-Medicine-InternalMedicine-Pathology-LaboratoryMedicine? Subjects-Professional&Technical-Medical-Medicine-Surgery-Orthopedics? Subjects-Science-General Subjects-Science-Technology-General&Reference Subjects-Science-Medicine-Specialties-Pathology-LaboratoryMedicine? Handbook of Myocardial Revascularization And Angiogenesis Taylor & Francis Group? Ran Kornowski? Stephen E. Epstein? Martin B. Leon? Taylor&FrancisGroup? RanKornowski? StephenE.Epstein? MartinB.Leon? ジャンル別? ジャンル別-mirror-test-test-subtier-Cardiovascular? ユーズドブック(洋書)-Medicine? Substores-UnknownASINs-38? Subjects-Medicine-Diseases-Cardiovascular? Subjects-Medicine-Specialties-Pathology-LaboratoryMedicine? Subjects-Medicine-Specialties-Surgery-General? Subjects-Medicine-InternalMedicine-Cardiology? Subjects-Medicine-InternalMedicine-Oncology-General? Subjects-Professional&Technical-Medical-Medicine-InternalMedicine-Oncology? Subjects-Professional&Technical-Medical-Medicine-InternalMedicine-Cardiology? Subjects-Professional&Technical-Medical-Medicine-InternalMedicine-Pathology-LaboratoryMedicine? Subjects-Professional&Technical-Medical-Medicine-Surgery-GeneralSurgery? Subjects-Professional&Technical-Medical-Medicine-Reference-Instruments&Supplies? Subjects-Science-General Subjects-Science-Technology-General&Reference Subjects-Science-Medicine-Diseases-Cardiovascular? Subjects-Science-Medicine-Specialties-Pathology-LaboratoryMedicine? Subjects-Science-Medicine-Specialties-Surgery-General? Subjects-Science-Medicine-InternalMedicine-Cardiology? Subjects-Science-Medicine-InternalMedicine-Oncology-General? The Wordsworth Dictionary of Science and Technology (Wordsworth Collection) Wordsworth Edition? Peter M.B. Walker? WordsworthEdition? PeterM.B.Walker? ジャンル別? ユーズドブック(洋書)-Engineering Subjects-Engineering-Reference? Subjects-Nonfiction-Philosophy-Science? Subjects-Nonfiction-Education-Reference-Dictionaries&Thesauri-English(British)? Subjects-Nonfiction-Education-Reference-Dictionaries&Thesauri-Science? Subjects-Professional&Technical-Engineering-Reference? Subjects-Reference-Dictionaries&Thesauruses-English(British)? Subjects-Reference-Dictionaries&Thesauruses-Science? Subjects-Reference-General? Subjects-Science-General Subjects-Science-History&Philosophy-General? Subjects-Science-Reference-Engineering? Subjects-Science-Reference-General? Subjects-Science-Technology-General&Reference The Wordsworth Dictionary of Inventions (Wordsworth Reference) Wordsworth Editions Ltd? Gerald Messadie? WordsworthEditionsLtd? GeraldMessadie? ジャンル別? ユーズドブック(洋書)-Engineering Subjects-Engineering-Patents&Inventions? Subjects-Nonfiction-Philosophy-Science? Subjects-Nonfiction-Education-Reference-Dictionaries&Thesauri-General? Subjects-Nonfiction-Education-Reference-Dictionaries&Thesauri-Science? Subjects-Professional&Technical-Engineering-Patents&Inventions? Subjects-Reference-Dictionaries&Thesauruses-General? Subjects-Reference-Dictionaries&Thesauruses-Science? Subjects-Science-General Subjects-Science-History&Philosophy-General? Subjects-Science-Reference-General? Subjects-Science-Technology-General&Reference Subjects-Science-Technology-Nanotechnology? Stoves for People Proceedings of the Second International Workshop on Stoves Dissemination ITDG Publishing? Roberto Caceres? ITDGPublishing? RobertoCaceres? ジャンル別? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-38? Subjects-Business&Investing-Industries&Professions-Oil&Energy? Subjects-Engineering-Energy-HeatEngineering&Transfer? Subjects-Professional&Technical-Engineering-Energy-HeatEngineering&Transfer? Subjects-Science-General Subjects-Science-Technology-General&Reference Agro-Mechanical Diffusion in a Backward Region ITDG Publishing? Rakesh Basant? K. K. Subrahmanian? ITDGPublishing? RakeshBasant? K.K.Subrahmanian? ジャンル別? Subjects-Business&Investing-Economics-EconomicPolicy&Development? Subjects-Nonfiction-SocialSciences-Sociology-General? Subjects-Nonfiction-SocialSciences-Sociology-Rural? Subjects-Nonfiction-Economics-EconomicPolicy&Development? Subjects-Professional&Technical-Accounting&Finance-Economics-EconomicPolicy&Development? Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-General? Subjects-Science-Technology-General&Reference Dyeing and Printing A Handbook (Small-Scale Textiles Series) ITDG Publishing? John Foulds? ITDGPublishing? JohnFoulds? ジャンル別? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Home&Garden? Subjects-Business&Investing-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-General? Subjects-Engineering-MaterialsScience-Textiles? Subjects-Home&Garden-Crafts&Hobbies-TextileArts? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-General? Subjects-Professional&Technical-Engineering-MaterialsScience-Textiles? Subjects-Professional&Technical-Medical-BasicSciences-Chemistry? Subjects-Science-Technology-General&Reference Mobilizing Appropriate Technology Papers on Planning Aid Programmes ITDG Publishing? Matthew S. Gamser? ITDGPublishing? MatthewS.Gamser? ジャンル別? Substores-UnknownASINs-38? Subjects-Business&Investing-Economics-Development&Growth? Subjects-Nonfiction-SocialSciences-SocialWork? Subjects-Nonfiction-Economics-Development&Growth? Subjects-Professional&Technical-Accounting&Finance-Economics-Development&Growth? Subjects-Science-Technology-General&Reference Introductory Technology Resource Book ITDG Publishing? Adrian Owens? ITDGPublishing? AdrianOwens? ジャンル別? Subjects-Nonfiction-Education-InstructionMethod-General? Subjects-Reference-General? Subjects-Science-Technology-General&Reference Design and Manufacture of Low Cost Motorized Vehicles ITDG Publishing? Dan Barwell? ITDGPublishing? DanBarwell? ジャンル別? Subjects-Nonfiction-Automotive-General? Subjects-Reference-General? Subjects-Science-Technology-General&Reference Making Microplans A Community Based Process in Programming and Development ITDG Publishing? Reinhard Goethart? Nabeel Hamdi? Sebastian Gray? Andrew Slettebak? ITDGPublishing? ReinhardGoethart? NabeelHamdi? SebastianGray? AndrewSlettebak? ジャンル別? Substores-UnknownASINs-38? Subjects-Business&Investing-SmallBusiness&Entrepreneurship-General? Subjects-Nonfiction-SocialSciences-Sociology-General? Subjects-Nonfiction-UrbanPlanning&Development-General? Subjects-Nonfiction-CurrentEvents-Poverty-SocialServices&Welfare? Subjects-Science-Technology-General&Reference Mastering the Machine ITDG Publishing? Ian Smillie? ITDGPublishing? IanSmillie? ジャンル別? Subjects-Business&Investing-Economics-Development&Growth? Subjects-Business&Investing-Economics-EconomicPolicy&Development? Subjects-Nonfiction-SocialSciences-Poverty? Subjects-Nonfiction-Economics-Development&Growth? Subjects-Nonfiction-Economics-EconomicPolicy&Development? Subjects-Professional&Technical-Accounting&Finance-Economics-Development&Growth? Subjects-Professional&Technical-Accounting&Finance-Economics-EconomicPolicy&Development? Subjects-Science-Technology-General&Reference Making Wheels A Technical Manual on Wheel Manufacture ITDG Publishing? R. A. Dennis? ITDGPublishing? R.A.Dennis? ジャンル別? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-38? Subjects-Business&Investing-Economics-EconomicPolicy&Development? Subjects-Engineering-General? Subjects-Engineering-Mechanical-General? Subjects-Nonfiction-Economics-EconomicPolicy&Development? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Accounting&Finance-Economics-EconomicPolicy&Development? Subjects-Science-General Subjects-Science-Technology-General&Reference Communicating Building for Safety Guidelines for Methods of Communicating Technical Information to Local Builders and Householders (Building for Safety) ITDG Publishing? Eric Dudley? Ane Haaland? ITDGPublishing? EricDudley? AneHaaland? ジャンル別? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Home&Garden? Subjects-Engineering-Civil-Construction-BuildingConstruction? Subjects-Engineering-Civil-Construction-General? Subjects-Home&Garden-HomeDesign-Buildings&Construction? Subjects-Professional&Technical-Engineering-Civil-Construction-BuildingConstruction? Subjects-Professional&Technical-Engineering-Civil-Construction-General? Subjects-Reference-General? Subjects-Science-Technology-General&Reference Subjects-Science-Technology-Safety&Health? The Power Guide An International Catalogue of Small-Scale Energy Equipment ITDG Publishing? Wim Hulscher? Peter Fraenkel? ITDGPublishing? WimHulscher? PeterFraenkel? ジャンル別? ユーズドブック(洋書)-Engineering Subjects-Engineering-Energy-General? Subjects-Professional&Technical-Engineering-Energy-General? Subjects-Professional&Technical-ProfessionalScience-Physics-Energy? Subjects-Reference-General? Subjects-Science-Physics-Energy? Subjects-Science-Technology-General&Reference Subjects-Science-Technology-RenewableEnergy? Earth Construction A Comprehensive Guide (Earth Construction) ITDG Publishing? Hugo Houben? Hubert Guillaud? ITDGPublishing? HugoHouben? HubertGuillaud? ジャンル別? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-38? Subjects-Engineering-Civil-Construction-BuildingConstruction? Subjects-Engineering-Civil-Foundations&SoilMechanics? Subjects-Engineering-Civil-EarthworkDesign? Subjects-Professional&Technical-Engineering-Civil-Construction-BuildingConstruction? Subjects-Professional&Technical-Engineering-Civil-Foundations&SoilMechanics? Subjects-Professional&Technical-Engineering-Civil-EarthworkDesign? Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-SoilScience? Subjects-Science-General Subjects-Science-Technology-General&Reference Subjects-Science-AgriculturalSciences-SoilScience? Carpentry Toolmaking An Instructor's Guide ITDG Publishing? Aaron Moore? ITDGPublishing? AaronMoore? ジャンル別? ユーズドブック(洋書)-Home&Garden? Substores-UnknownASINs-38? Subjects-Home&Garden-Crafts&Hobbies-Woodworking? Subjects-Nonfiction-Education-InstructionMethod-General? Subjects-Science-General Subjects-Science-Technology-General&Reference The Technological Transformation of Rural India ITDG Publishing? Amulya K.N. Reddy? A.S. Bhalla? ITDGPublishing? AmulyaK.N.Reddy? A.S.Bhalla? ジャンル別? Substores-UnknownASINs-38? Subjects-Business&Investing-Economics-Development&Growth? Subjects-Business&Investing-Economics-EconomicPolicy&Development? Subjects-Nonfiction-Economics-Development&Growth? Subjects-Nonfiction-Economics-EconomicPolicy&Development? Subjects-Professional&Technical-Accounting&Finance-Economics-Development&Growth? Subjects-Professional&Technical-Accounting&Finance-Economics-EconomicPolicy&Development? Subjects-Science-Technology-General&Reference Rural Lighting A Guide for Development Workers ITDG Publishing? Jean-Paul Louineau? Modibo Dicko? Peter Fraenkel? ITDGPublishing? Jean-PaulLouineau? ModiboDicko? PeterFraenkel? ジャンル別? ユーズドブック(洋書)-Engineering Subjects-Business&Investing-Economics-EconomicPolicy&Development? Subjects-Engineering-Civil-Construction-Heating,Ventilation&AirConditioning? Subjects-Engineering-Electrical&Electronics-Optics-General? Subjects-Engineering-Electrical&Electronics-Lighting? Subjects-Nonfiction-Economics-EconomicPolicy&Development? Subjects-Professional&Technical-Engineering-Civil-Construction-Heating,Ventilation&AirConditioning? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Optics-General? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Lighting? Subjects-Professional&Technical-Accounting&Finance-Economics-EconomicPolicy&Development? Subjects-Reference-General? Subjects-Science-Technology-General&Reference Made in Africa Learning from Carpentry Hand Tool Projects ITDG Publishing? Janet Leek? Andrew Scott? Metthew Taylor? ITDGPublishing? JanetLeek? AndrewScott? MetthewTaylor? ジャンル別? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Home&Garden? Subjects-Business&Investing-Economics-EconomicPolicy&Development? Subjects-Engineering-Civil-Construction-Carpentry? Subjects-Home&Garden-Crafts&Hobbies-Woodworking? Subjects-Nonfiction-SocialSciences-Sociology-General? Subjects-Nonfiction-Economics-EconomicPolicy&Development? Subjects-Professional&Technical-Engineering-Civil-Construction-Carpentry? Subjects-Professional&Technical-Accounting&Finance-Economics-EconomicPolicy&Development? Subjects-Science-Technology-General&Reference Island Technology ITDG Publishing? Tony Marjoram? ITDGPublishing? TonyMarjoram? ジャンル別? Subjects-Business&Investing-Economics-EconomicPolicy&Development? Subjects-Nonfiction-SocialSciences-Sociology-General? Subjects-Nonfiction-Economics-EconomicPolicy&Development? Subjects-Professional&Technical-Accounting&Finance-Economics-EconomicPolicy&Development? Subjects-Science-Technology-General&Reference Do It Herself Women Technical Innovation ITDG Publishing? Helen Appleton? ITDGPublishing? HelenAppleton? ジャンル別? Subjects-Business&Investing-Economics-EconomicPolicy&Development? Subjects-Business&Investing-Economics-Labor&IndustrialRelations? Subjects-Nonfiction-SocialSciences-GenderStudies-Women? Subjects-Nonfiction-SocialSciences-Sociology-General? Subjects-Nonfiction-Economics-EconomicPolicy&Development? Subjects-Nonfiction-Economics-Labor&IndustrialRelations? Subjects-Professional&Technical-Accounting&Finance-Economics-EconomicPolicy&Development? Subjects-Professional&Technical-Accounting&Finance-Economics-Labor&IndustrialRelations? Subjects-Science-Technology-General&Reference Missing Links ITDG Publishing? Geoffrey Oldham? Betsy McGregor? ITDGPublishing? GeoffreyOldham? BetsyMcGregor? ジャンル別? Substores-UnknownASINs-38? Subjects-Business&Investing-Economics-EconomicPolicy&Development? Subjects-Nonfiction-SocialSciences-GenderStudies-General? Subjects-Nonfiction-SocialSciences-Sociology-Marriage&Family? Subjects-Nonfiction-SocialSciences-Sociology-Culture? Subjects-Nonfiction-SocialSciences-Sociology-SocialGroups? Subjects-Nonfiction-Economics-EconomicPolicy&Development? Subjects-Professional&Technical-Accounting&Finance-Economics-EconomicPolicy&Development? Subjects-Science-Technology-General&Reference Water-Pumping Devices A Handbook for Users and Choosers ITDG Publishing? Peter Fraenkel? ITDGPublishing? PeterFraenkel? ジャンル別? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Outdoors&Nature Subjects-Business&Investing-Economics-EconomicPolicy&Development? Subjects-Engineering-Civil-Environmental-SolidWasteManagement? Subjects-Nonfiction-Economics-EconomicPolicy&Development? Subjects-Outdoors&Nature-NaturalResources-WaterSupply&LandUse? Subjects-Professional&Technical-Engineering-Civil-Environmental-SolidWasteManagement? Subjects-Professional&Technical-Accounting&Finance-Economics-EconomicPolicy&Development? Subjects-Reference-General? Subjects-Science-Nature&Ecology-WaterSupply&LandUse? Subjects-Science-Technology-General&Reference Rammed Earth Structures A Code of Practice ITDG Publishing? Julian Keable? ITDGPublishing? JulianKeable? ジャンル別? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-38? Subjects-Engineering-Civil-Construction-BuildingConstruction? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Professional&Technical-Engineering-Civil-Construction-BuildingConstruction? Subjects-Science-Technology-General&Reference Intermediate Technology in Papua New Guinea (ITDG Occasional Papers) ITDG Publishing? Marilyn Carr? ITDGPublishing? MarilynCarr? ジャンル別? Subjects-Science-Technology-General&Reference Mastering the Machine Revisited Poverty, Aid and Technology ITDG Publishing? Ian Smillie? ITDGPublishing? IanSmillie? ジャンル別? Subjects-Business&Investing-Biographies&Primers-BusinessHistory? Subjects-Nonfiction-SocialSciences-SocialWork? Subjects-Nonfiction-SocialSciences-Sociology-General? Subjects-Nonfiction-SocialSciences-Poverty? Subjects-Nonfiction-Economics-EconomicHistory? Subjects-Professional&Technical-Accounting&Finance-Economics-EconomicHistory? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Mastering the Machine Revisited Poverty, Aid and Technology ITDG Publishing? Ian Smillie? ITDGPublishing? IanSmillie? ジャンル別? Subjects-Business&Investing-Biographies&Primers-BusinessHistory? Subjects-Nonfiction-SocialSciences-SocialWork? Subjects-Nonfiction-SocialSciences-Sociology-General? Subjects-Nonfiction-SocialSciences-Poverty? Subjects-Nonfiction-Economics-EconomicHistory? Subjects-Professional&Technical-Accounting&Finance-Economics-EconomicHistory? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Sustainable Lifestyles Exploring Economic and Cultural Issues in Design and Technology ITDG Publishing? Cath Miller? James Pitt? ITDGPublishing? CathMiller? JamesPitt? ジャンル別? Subjects-Nonfiction-Education-EducationTheory-Statistics? Subjects-Nonfiction-Education-InstructionMethod-General? Subjects-Nonfiction-Education-General? Subjects-Professional&Technical-Education-Theory-Statistics? Subjects-Professional&Technical-Education-General? Subjects-Science-Technology-General&Reference Techno-Sexual Landscapes Changing Relations Between Technology and Sexuality Free Assn Books? Angel J. Gordo Lopez? Richard M. Cleminson? Angel J. Gordo-Lopez? FreeAssnBooks? AngelJ.GordoLopez? RichardM.Cleminson? AngelJ.Gordo-Lopez? ジャンル別? Substores-UnknownASINs-65? Subjects-Nonfiction-SocialSciences-Anthropology-General? Subjects-Nonfiction-SocialSciences-Sociology-General? Subjects-Nonfiction-SocialSciences-Sociology-Culture? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Subjects-Science-BehavioralSciences-Anthropology? Primary Design and Technology A Process for Learning David Fulton Pub? Ron Ritchie? DavidFultonPub? RonRitchie? ジャンル別? Subjects-Nonfiction-Education-ElementarySchool-General? Subjects-Nonfiction-Education-InstructionMethod-General? Subjects-Nonfiction-Education-General? Subjects-Professional&Technical-Education-ByLevel-ElementarySchool-General? Subjects-Professional&Technical-Education-General? Subjects-Professional&Technical-Education-SpecificSkills-SocialScience? Subjects-Science-Technology-General&Reference Primary Design and Technology for the Future Creativity, Culture and Citizenship David Fulton Pub? Alan Howe? Dan Davies? Ron Ritchie? DavidFultonPub? AlanHowe? DanDavies? RonRitchie? ジャンル別? Subjects-Nonfiction-Education-Curricula? Subjects-Nonfiction-Education-ElementarySchool-General? Subjects-Nonfiction-Education-InstructionMethod-General? Subjects-Nonfiction-Education-General? Subjects-Professional&Technical-Education-ByLevel-ElementarySchool-General? Subjects-Professional&Technical-Education-General? Subjects-Professional&Technical-Education-Curricula? Subjects-Science-Technology-General&Reference The British Electricity Experiment Privatisation The Record, the Issues, the Lessons Earthscan Pubns Ltd? John Surrey? EarthscanPubnsLtd? JohnSurrey? ジャンル別? Substores-UnknownASINs-38? Subjects-Business&Investing-Economics-Privatization? Subjects-Business&Investing-Industries&Professions-Oil&Energy? Subjects-Nonfiction-SocialSciences-PoliticalScience-LevelsofGovernment-FederalGovernment? Subjects-Nonfiction-Economics-Privatization? Subjects-Professional&Technical-Accounting&Finance-Economics-Privatization? Subjects-Science-General Subjects-Science-Technology-General&Reference Policies for Cleaner Technology A New Agenda for Government and Industry Earthscan Pubns Ltd? Anthony Clayton? Graham Spinardi? Robin Williams? EarthscanPubnsLtd? AnthonyClayton? GrahamSpinardi? RobinWilliams? ジャンル別? ユーズドブック(洋書)-Engineering Subjects-Business&Investing-Management&Leadership-Industrial? Subjects-Engineering-Civil-Environmental-Pollution-Air? Subjects-Nonfiction-Politics-General? Subjects-Nonfiction-Politics-International-Relations? Subjects-Nonfiction-SocialSciences-PoliticalScience-LevelsofGovernment-FederalGovernment? Subjects-Professional&Technical-Engineering-Civil-Environmental-Pollution-Air? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Industrial? Subjects-Science-Technology-General&Reference Policies for Cleaner Technology A New Agenda for Government and Industry Earthscan Pubns Ltd? Anthony Clayton? EarthscanPubnsLtd? AnthonyClayton? ジャンル別? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-38? Subjects-Business&Investing-Management&Leadership-Industrial? Subjects-Engineering-Civil-Environmental-Pollution-Air? Subjects-Nonfiction-SocialSciences-PoliticalScience-LevelsofGovernment-FederalGovernment? Subjects-Professional&Technical-Engineering-Civil-Environmental-Pollution-Air? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Industrial? Subjects-Science-General Subjects-Science-Technology-General&Reference Oois '95 1995 International Conference on Object Oriented Information Systems 18-20 December 1995, Dubln Proceedings Springer-Verlag? John Murphy? Brian Stone? Springer-Verlag? JohnMurphy? BrianStone? ジャンル別? Subjects-Computers&Internet-Software-Design&Development-Object-OrientedDesign? Subjects-Computers&Internet-Programming-General? Subjects-Computers&Internet-Databases-General? Subjects-Science-General Subjects-Science-Technology-General&Reference Risk, Media and Stigma Understanding Public Challenges to Modern Science and Technology (Risk, Society and Policy Series) Earthscan Pubns Ltd? James Flynn? Paul Slovic? Howard Kunreuther? EarthscanPubnsLtd? JamesFlynn? PaulSlovic? HowardKunreuther? ジャンル別? ユーズドブック(洋書)-Medicine? Subjects-Medicine-Administration&Policy-PublicHealth? Subjects-Nonfiction-SocialSciences-Sociology-SocialTheory? Subjects-Nonfiction-SocialSciences-Sociology-Culture? Subjects-Nonfiction-SocialSciences-MediaStudies? Subjects-Nonfiction-Government-PublicAffairs&Administration? Subjects-Nonfiction-Government-PublicPolicy? Subjects-Professional&Technical-Medical-Administration&MedicineEconomics-PublicHealth-General? Subjects-Science-General Subjects-Science-Technology-General&Reference Subjects-Science-Technology-Risks? Subjects-Science-Technology-Technology&PublicPolicy? Subjects-Science-Medicine-Administration&Policy-PublicHealth? New Technology-Based Firms in the 1990s Paul Chapman Pub? Ray Oakey? Syeda-Masooda Mukhtar? PaulChapmanPub? RayOakey? Syeda-MasoodaMukhtar? ジャンル別? Subjects-Business&Investing-General? Subjects-Business&Investing-Management&Leadership-Industrial? Subjects-Business&Investing-Management&Leadership-Management? Subjects-Business&Investing-SmallBusiness&Entrepreneurship-General? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Industrial? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Management? Subjects-Science-Technology-General&Reference In Search of Nikola Tesla Ashgrove Publishing? David Peat? AshgrovePublishing? DavidPeat? ジャンル別? ユーズドブック(洋書)-Biographies&Memoirs? Subjects-Biographies&Memoirs-General? Subjects-Biographies&Memoirs-People,A-Z-(T)-Tesla,Nikola? Subjects-Nonfiction-Philosophy-Science? Subjects-Science-General Subjects-Science-History&Philosophy-General? Subjects-Science-Technology-General&Reference British Submarines of World War I (Warships Fotofax) Arms & Armour? Paul Kemp? Arms&Armour? PaulKemp? ジャンル別? Subjects-History-Europe-England-General? Subjects-History-Europe-General? Subjects-History-Military-General? Subjects-Science-Technology-General&Reference Soviet Mechanized Firepower in World War Two Weidenfeld Military? Steven J. Zaloga? J. Magnuski? WeidenfeldMilitary? StevenJ.Zaloga? J.Magnuski? ジャンル別? Subjects-History-Military-General? Subjects-Science-Technology-General&Reference Sopwith Camel Weidenfeld & Nicholson military? J.M. Bruce? Weidenfeld&Nicholsonmilitary? J.M.Bruce? ジャンル別? ユーズドブック(洋書)-Engineering Subjects-Engineering-SpecialTopics-MilitaryEngineering? Subjects-History-Military-General? Subjects-Professional&Technical-Engineering-SpecialTopics-MilitaryEngineering? Subjects-Science-Technology-General&Reference P-51 Mustang (Fotofax) Arms & Armour? Jeffrey Ethell? Arms&Armour? JeffreyEthell? ジャンル別? Subjects-History-Military-General? Subjects-History-MilitaryScience? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Armour 2000 Arms & Armour? Peter Gudgin? Arms&Armour? PeterGudgin? ジャンル別? Substores-UnknownASINs-65? Subjects-History-Military-General? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference 2001 Filming in the Future Filming the Future Aurum Pr Ltd? Piers Bizony? AurumPrLtd? PiersBizony? ジャンル別? ユーズドブック(洋書)-Mystery&Thrillers? ユーズドブック(洋書)-ScienceFiction&Fantasy? Subjects-Entertainment-Movies-General? Subjects-Entertainment-Movies-History&Criticism? Subjects-Entertainment-Movies-GenreFilms? Subjects-Mystery&Thrillers-General? Subjects-Mystery&Thrillers-Mystery-General? Subjects-Science-General Subjects-Science-Technology-General&Reference Subjects-ScienceFiction&Fantasy-ScienceFiction? The Commercial Engineer Thorogood? Tim Boyce? Thorogood? TimBoyce? ジャンル別? 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Risk and Decision Analysis Journal Risk Analysis(1986-) Journal of Risk Research(1998-) Health Risk Society Climatic Change Issues in Science and Technology Environmental Science Technology Academic Risk Research Centers and Projects Harvard Center for Risk Analysis (HCRA) Carnegie Mellon University Center for Risk Perception and Communication London School of Economics Centre for Analysis of Risk and Regulation Department of Risk and Insurance (Part of Applied Economics program now), Wharton School of University of Pennsylvania Risk Management and Decision Process Center, Wharton School of University of Pennsylvania Department of Risk Management and Insurance, Georgia State University Department of Risk Management Insurance, University of Wisconsin Program on Actuarial Science, Boston University Zell Center for Risk Research, Northwestern University Buehler Center on Aging, Health, and Society Risk, Insurance, and Decision Science Society European Group of Risk and Insurance American Risk and Insurance Association Southern Risk and Insurance Association World Risk and Insurance Economics Congress Society of Risk Analysis The Risk Theory Society Other Related Society Institute for Operations Research and the Management Sciences (INFORMS) Society for Judgment and Decision-Making (JDM) Society for Mathematical Psychology (SMP) Society for Medical Decision Making (SMDM). International Society for Bayesian Analysis (ISBA) Society for Imprecise Probabilities and Their Applications (SIPTA) Society for Neuroeconomics American Statistical Assocation Section on Risk Analysis European Association of Decision Making (EADM) European Association of Operational Research Societies (EURO) International Society for Multi-Criteria Decision Making (MCDM) Society for Risk Analysis ASA Section on Bayesian Statistical Science Association for Uncertainty in Artificial Intelligence Game Theory Society Public Choice Society Decision Sciences Institute Decision Analysis Society Decision Theory Course at HSPH Health Policy Decision Science Track Coursework RDS280 Decision Analysis for Health and Medical Practices RDS282 Cost-Effectiveness and Cost-Benefit Analysis for Health Program Evaluation RDS285 Decision Analysis Methods in Public Health and Medicine RDS284 Decision TheoryUtility and Choice Choice Under UncertaintySubjective Expected Utility Theory, Savage Axioms Prospect and Regret Theories Non-Expected Theory Intertemporal Choice (Discount rate)Exponential Discounting Hyperbolic Discounting Social ChoicePlurality voting Pairwise Majority Voting Borda Count Game Theory Statistical Decision Theory and Bayes TheoremValue of Information Wage-risk analysis (value of a statistical life) Decision Theory Course at Other Harvard Schools Decision Theory/Economics (Wilson) Decision Theory/Engineering Sciences (Lu) Rationality and Choice (Sen) Social Choice and Welfare Economics (Sen) Inequality and Poverty (Sen) Evaluation and Decision Making for Infrastructural System(Schofer) Other Sample Decision Theory Courses CEA in JHSPH Risk and Decision Analysis Researcher Carnegie MellonELIZABETH CASMAN MIKE DEKAY PAUL FISCHBECK KEITH FLORIG BARUCH FISCHHOFF DAVID GERARD GRANGER MORGAN HarvardHoward Raiffa James Hammit John Evans Kimberly Thompson Jonathon Levy Sue Goldie Milton Weinstein Roger Brockett Donald Anderson Cass Sunstein Amartya Sen Rand Grad SchoolJohn Graham DukeJonathan Wiener OxfordLiz Fisher MITGeorge Apostolakis Herbert H. Einstein StanfordRonald Howard Ethicist (Distributive Ethics) HarvardNorman Daniels Daniel Wikler Dan W. Brock Arthur Applbaum Frances Kamm Amartya Sen David Stevenson Blog Environmental valuation blog Data 72 two-digit SIC code industries and the 10 one-digit occupation groupsAgriculture, Forestry, Fishing, and Hunting (5) Mining (3) Utilities (1) Construction Manufacturing Wholesale Trade Retail Trade Transportation and Warehousing Information Finance, Insurance, Real Estate, and Rental and Leasing Professional, Scientific, Management, Administrative, Educational, Health and Social Services Arts, Entertainment, Recreation, Accommodation, and Food Services Other Services (Except Public Administration) Government Other Major Field in Industrial Engineering Stochastic Modeling and Analysis Optimization Financial Engineering Production and Logistics Applied Statistics and Quality Engineering Organization Theory and Systems Analysis Other Study Guides Gary Becker's Price Theory/ゲイリー・ベッカー流価格理論 Health Risk Decision Analysis/健康リスク意思決定分析 Health Economics in the U.S and Europe/アメリカとヨーロッパの医療経済学 Health Economics in Japan and Asian Countries/日本とアジアの医療経済学 Demography/人口学 Global Health/グローバル・ヘルス Environmental Economics/アメリカの環境経済学 Law and Economics/法と経済学 Global and Domestic Health Law/グローバル・国内医療法 Empirical Microeconomics/実証ミクロ経済学 Social Insurance/社会保険 Financial, Health, and Consumer Literacy/金融・健康・消費者リタラシー
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Okay, so I m up to my neck in debt...but so what? I m sure I ll win the lottery soon. It s just a matter of time. My God, I m going to crash and burn soon. I just know it. I m going to crash and burn... Have you heard about this Project Alchera that WATIcorp s coming out with this spring? Do you know what it is? I collect Watillas. I have eighteen of them. I m so excited about Project Alchera! I think it s going to be amazing...and I m buying at least five! WATIcorp is the best corporation in the world. I m planning on applying for a job there, and moving to Wati City in Japan. I ve always enjoyed coming to the Journeyman for a drink and a chat with my friends or with Benrime. Benrime makes the best mulled wine and roast gipa in town. It s too bad that fewer and fewer people come here now that the traffic s being heavily regulated, and moved to the west and to the north. The Journeyman used to be popular with non-humans, but now that they ve been moved to the ghetto, you don t see a lot of them around. I like to eat my dinners here, whenever I can. It beats going home to my parents and grandparents to eat soup and bread. The best thing about the Journeyman is that there are no Azadi here, ever. Benrime Salmin is a...tough woman. You don t want to get on her bad side. I m actually afraid of coming here. I haven t seen you here before. Are you new to the city? This is definitely a good place to come if you don t like crowds. I hope you decide to come back here. This really is the nicest and friendliest tavern in Marcuria. I used to frequent the Puss and the Cock, but after the Azadi moved traffic away from the South Gate, they had to close the tavern down. I need to find a new tavern, preferably somewhere north of the tower. I prefer that side of town. I know I m not supposed to say it, but...I hate this tower. It doesn t belong in our city. It s an abomination. There. That s all I have to say. The Azadi levelled this entire neighbourhood to the ground to build their tower. They blame the Tyren, but I know they set some of those fires themselves. I don t like the Azadi much, and I m not afraid to say so. That s not a crime, is it? What do you want? I m busy. I have important Azadi customers to report to! To Zoë/April Nice weather we re having, isn t it? Cold and crisp, like the winters of old. My business is doing great, and now we re opening up for export to Sadir as well. A bigger market is better for everyone. I m a busy man, and I can t waste my time on idle conversation! Pardon me. Sorry, sir. Execuse me, sir. Marcuria looks so beautiful in wintertime. I wouldn t want to be anywhere else, even though it s freezing cold. I like walking around town on days like these. It s so nice to just look at the buildings and all the people. The South Gate was where all the business from the harbour came through. Nowadays, that s over by the new harbour, by the West Gate. I m here to pick up some necessities. I know there are much better markets in town, but I live up Crab Bend, and this is convenient. I miss the old market. It was always so lively, and you could buy pretty much anything you needed here. The best thing about the South Gate Market was the performers. I liked the jugglers and the fortune tellers...and also those half-naked Southlander dancers... Not a lot of people live in Crab Bend anymore, but rent s cheap, and it s safe. It may not be pretty, but it s safe. Granted, Friar s Keep looks a bit scary, and Crab Bend doesn t have the best reputation, but it s really not a bad place to live. Why did they have to close down both The Cock and the Puss and The Salty Seaman? Those were my two favourite bars in Marcuria! Most of my shipmates are over on the west side of town, but I like it here. I liked it more before, but if you know where to go, South Gate still has its benefits. I m in from Ge en. My ship s only staying a few days, so I m trying to get the most out of my visit. There are a few ladies I d like to visit tonight... My father and I are visiting Marcuria for the day. We live up north, in the farmlands west of the forest. It s not often that I get to see the city. There are so many soldiers here! They re very impressive...and handsome. Up north, people are skeptical to the Azadi, but they seem so nice and friendly. We re going back to the farm tomorrow morning. There s a lot of snow up there, so it ll take us the whole day to get home. Don t think it ends with this. I must go to the prayer room. Interact Olivia imports mobiles from manufacturers and distributors in other African markets, and resells them here in Casablanca at a heavy mark-up. My preferred mode of transportation. These subterranean streets connect all the buildings in downtown Casablanca, and the freeway is just underneath us. Classy. Real classy. Science periodicals. I used to be into that, but...not anymore. Goodbye. I don t plan on staying long. One of those creatures, uh, sang to the door...and it opened up. Magic. You gotta love it. After Grubber Maybe those creatures only live down here in the caves. If it is a door, I have no idea how to open it. Use before Grubber That creature didn t touch the door. It just opened as if by...magic. So, magic then. Always with the magic. Use after Grubber Nothing. I don t think I ll be able to guess the pattern. I need more to go on. These creatures must live down here all by themselves. I can t just guess. I need more to go on. I need to see one of those creatures using the pad. You re trespassing. Is there anything you want to tell us? Then why― When we last met, mistress... Your words awoke something inside of me... I have never questioned my mission, or my faith. To do so would be to question my entire existence. If that is so, it s my duty to help undo the damage. It may, quite simply, have been...misplaced. But the fact is, you re an enemy assassin, you re in our city, and you didn t come here to talk to me. And still, now that we meet again, I m reminded of the parting words of an old friend - words dismissed too quickly - and I find myself...torn. It s not a question of agreeing or disagreeing. It s a question of facts. You invaded our lands. You imposed yourselves on us. We delivered you from a brutal and deadly enemy. We liberated your city. We fed your hungry and housed your homeless. We made your lands safe again. Without us, you would not be here. Without us, your people would be scattered, broken, dead. Your cities would be in ruins, and your temples burned to the ground. Tell me, mistress, how have we wronged you? How have we imposed on you with our charity and good will? We have only done what we know to be right. We wish only for you to walk in the light of our Goddess, to hear Her Word, and to know Her love. Your...honesty is refreshing, mistress, though I do not agree with your views. It won t work. In the end, people won t stand for it. If you hadn t come to our lands, we might still be homeless, hunted, hungry...but we d be free. It s a machine of some sort. It s enormous. From afar Each of those signs or runes play a musical note. After touching I knew I could jump it. Examine from other side I need to...I need to wake up. Or get out of here. I need to do something. Anything. I definitely wouldn t want to piss it off. Those monsters must be guarding something important. Come to think of it, that can t be just a coincidence. It rises up into the darkness. Glowing crystals. So that s where all the light s coming from. They give out both light and heat. That s probably what makes these caverns so warm. It s daylight outside. Wherever that may be. I m not even sure I want to find out. A Bestiary of the Southlands . Why Magic Makes Malice . I think I ll stop looking. Those books are just gonna freak me out even more. Na ane. If I would trust anyone with my life, it would be Chawan. He s never let me down. And he s never going to abandon the fight. Brynn. Chawan. I don t know any of the people who come here anymore. I think that s probably Blind Bob. Examine beggar again That looks like the guy the spice merchant described, the one with the spices. Examine on mission That s probably the rudest and most unpleasant man I ve ever met. The steam machinery looks brand new. But what s it for? It doesn t look to be doing anything except make a lot of noise. The traffic appears to be backed up. No one s getting through. There are soldiers posted everywhere, but most of them are just kids. The Azadi have brought their steam technology to Marcuria, and now everyone s installing these noisy machines. Balance knows what these things actually do... They re enforcing the curfew in Oldtown. One day, Marcuria will be free of the Azadi. I can t believe they destroyed the Sentinel temple to build that abomination. That alone should have caused an uproar... But maybe people were getting fed up with the Sentinel. The tower is nearly finished. We need to keep the Azadi from completing it. My escort. It s an imposing edifice. But why was it built? What do the Six intend with it? It is not our custom to build such...extravagant structures. The tower is impressive, but it seems uncharacteristically big for an Azadi structure. I hope they all won t have to serve their six years in foreign and unfriendly lands. He would not be allowed to wear such clothes in Sadir. The camp is only temporary, until the new barracks beside the tower are completed. If I m not completely mistaken, this is the Emissary s office. I ve just hit the jackpot. It s the Emissary s office. The door is slightly ajar. If I do that, I m sure to be noticed. That must the Azadi Emissary. Sahya. I ve never seen her up close before. Who s she talking to? That s the Azadi Emissary. Who s that? The Emissary seems to be obeisant...almost afraid. But how can that be? The Azadi women consider men to be inferior, don t they? He must be very powerful if the Azadi Emissary defers to him. That was...strange. I should try and follow him, find out who this mysterious person is. I can t hear what they re talking about. I need to get closer. Unsuccessful It s a cage. That poor creature must have been terrified to be locked up like that. Examine after releasing pet The poor guy must be scared. I should get him out of there right away. He looks very familiar. A merchant. This Azadi technology is spreading like a weed. Soon, there will be machines attached to every building in Marcuria. People are so easily seduced by new inventions, they don t stop to ask if they really need it. I think the Azadi have brought their technology here so that people will come to depend on it...and thus depend on the Azadi. He s the only guard on duty. That gate is firmly locked at night. No one gets in...and absolutely no one gets out. Examine/use There s no one getting in or out of the ghetto. Examine/use again The taverns and bars down here by the South Gate had to close when traffic moved west of Oldtown. All the taverns down here lost most of their business when the Azadi moved the harbour west. Even at night, those things keep going. Seems people can t live without technology. I swear, Arcadia s turning into Stark. I don t know what these machines do - heat houses, flush toilets, generate power - but they re becoming ubiquitous. I know I recognise that guy from somewhere. Roper Klacks. Examine again after talking He s a Zhid. She s Dolmari. She s Zhid. I wonder what happened to the Banda I knew. They ve probably been killed by the Azadi... He s Dolmari. Why he even wants to stay here in Marcuria, I don t understand. If I were him, I d just leave, and never look back. They raid the market from time to time, but people are getting good at hiding their merchandise. Oldtown s still the best place to go shopping. They have absolutely everything here, and the prices are very reasonable. A Samare. They re so beautiful and graceful. He s got feline features. Aside from that whole blue thing, she looks human. I can deal with that. I don t know what she is, but I don t care. She s beautiful. I don t understand why they need to keep these people in a ghetto. It s really warm and cozy. This must be great for the people working here in such cold weather. The word wicked wizard keeps popping into my head. But I m sure he s just an honest merchant. Um. That was probably a really horrible thing to say about a person. What kind of creature is that? He s cu― I mean, he s very handsome. It s a blue man. I feel right at home now. It s Crow, the coolest talking bird I ve ever met. I m not even going to guess what all of this stuff is, but it sure smells great. Crow. And he s with a man. That must be Brian Westhouse. That s probably April s friend, Brian Westhouse. She s so beautiful. I ve never seen anyone like her before. I ve never seen these creatures up close before. They do not look as...strange as I have been told. The Goddess made humans. The magicals were born of the earth and the sea, and they are unclean and unworthy of Her light. I don t quite see how these creatures can be dangerous to us...but I must put my trust in what I have been taught. Blue flames. That is surely magic, and so it must only be practised by women trained in the black arts. I am always told of these filthy and dangerous magicals, and yet... No, I must not doubt what I have been taught. I am not a scholar. No! She is merely a magical, nothing more. She may possess beauty, but she is not human. She is an animal, and she does not walk in the light of the Goddess. I m not here to search for contraband merchandise, nor to make any purchases. As an animal, she is beautiful. As a person, she is an abomination in the eyes of the Goddess...or so I have been told. She s really exotic looking. I wish I could walk around Casablanca looking like that. I don t think I would mind being with a non-human. I saw him outside the Journeyman the other day. I like her clothes, too. She looks like a cool lady, magical or not. She s so graceful. I wish we had creatures like her back home. I don t know what drives the Zhid to stay here, with the Azadi persecuting them. I had a brief relationship with a Dolmari man. He was a...fierce lover. He doesn t look like he belongs here. If I was Dolmari, I d fight back, tooth and nail. I d never let anyone stick me in a ghetto. A Shadowship. One of the Dark People. He s a Shadowguide. If the Azadi are here in Oldtown, that s bad news for everyone. They re still loading the supplies. A Samare. The Captain. I hope the Captain can get the papers in order so that the ship can leave. I m getting a bit nervous...and he looks as relaxed as ever. Examine later I don t understand how he can look so relaxed. They should ve been on their way by now. Examine later again He s just a pathetic, whimpering magical. She is strangely attractive...despite being nothing but an animal. I don t know what he is, nor do I intend to find out. I do not work in magical affairs. If I had time, I would pull that man in for questioning. He should not be here. I don t know what her species is called, nor does it matter. She isn t human. That makes her unimportant. It is certainly a peculiar beast. I must go to this prison immediately, to question the witch they captured. No life is taken idly, but I am only doing what the Goddess has asked me to do. Uh-uh. I don t think so. That place looks like bad news. Knot very inviting. Get it? Yeah, uh, that cheered me up no end. Not the friendliest of neighbourhoods, is it? It looks a bit rickety, like it s going to fall to pieces at any moment. It doesn t look like anyone lives here anymore. That s really sweet. I feel all warm and tingly inside. Examine with pet That tower just feels bad. I m not kidding, it s like it radiates pain and darkness. It actually hurts to look at it. I don t like looking at that thing. It hurts my eyes. The dreaded doors to Friar s Keep. Solid stuff. They re magical, too. Completely unbreakable. It s a speaking tube. I ve got noose for you, my friend. God. I don t know what it is about death that makes me crack bad jokes. Sobering stuff. They keep them running even here in Crab Bend, where no one lives anymore. But for what purpose? All the shops and houses are locked and boarded up. There are no magicals left outside of Oldtown. Friar s Keep. It used to be every criminal s worst nightmare. Now the Azadi use it to hold suspected dissidents and terrorists before shipping them off to Sadir to stand trial. Friar s Keep, Marcuria s most secure prison. It s run by the Azadi now. Strong and secure. How brutal and uncivilised, compared with the swift justice of the blade. A man deserves to have his neck cut, not his throat strangled, no matter what crimes he may have committed. Azadi technology is the future...or so I am told. This place is deserted. What a dark and forbidding place. There is magic here, I can sense it. It burns inside my head. That dark thing reeks of magic, like a rotten fruit reeks of decay. It appears that someone lives here. How tragic, for a so-called civilised society to allow its citizens to be without permanent shelter. Crazy Clara s stuff. She must be out and about. Someone lives here. No doubt driven out of their home by the Azadi. You would never find anyone living under such horrible conditions back home. She could be anywhere. The first thing I need to do is find out which cell she s in. Zoë looks fine. I guess her brief stay at Friar s Keep didn t do any permanent damage. The warden. Those doors lead outside. He is here to assist the city watch with the prisoners. The warden appears to keep perfect records. The door s locked and bolted from the outside. There s someone in there. Examine occupied It s empty. Looks like most of them are. Examine empty again He s sleeping really heavily. I doubt he ll wake up even if I make a lot of noise. Examine sleeping heavy I ll need to find a way to get past that guard. The hatch only opens from the outside. The jailer left the hatch open. Examine open hatch We ll be able to get up to the window now. Examine far crate Kitchen stuff. It doesn t look very heavy. We can get up to the window now. Examine after pushed Even if I could climb that high, it s too narrow to squeeze through, and there s probably a deadly drop on the other side. There s no way out through there. There s a long drop down. If I tried to jump, I d probably break something...or everything. Examine near no rope The rope reaches all the way down to the ground. Examine near rope The Azadi are keeping tight reins here as well. Zoë seems all right. Mr Westhouse seems to be a good pilot. Not that I would know. Maybe we re way off course. Mr Westhouse. Brian. Crow s airsick. Go figure. Crow looks a bit worse for wear. Sky and ocean as far as the eye can see. It s really beautiful. Looks very complicated. The hold is back there. And the bed. There s a bed back there. I guess I should get some sleep before we get there. Sleep Go to sleep I m not that tired. I ll stay up a bit longer. Stay up I ll stay up a bit longer That s a heavy duty security door. The bartender. That room s occupied. I ve never seen so much junk gathered in one place...and all of it for sale. It s one thing for adults to be homeless, but for children... I can t imagine how horrible that must be. Looks like he s been living on the streets his whole life. That clock has ticked its last...tock. I know it is. I was the one who bought it. It s a security system that controls the building s cameras. Something s cooking over there. Examine far don t know it s pizza Pizza. It s not done yet. If I reprogram the timer, I can make the alarm go off almost immediately. Manipulate timer It should go off any second now. Examine manipulated timer The cooker has stopped. Examine timer expired Front door. It s securely locked. I need to look inside the closet. I think that s Charlie on that graph. It s unbreakable. Examine locked again That s the backyard door. It s locked. It s missing a window handle. Examine without handle It s a filthy towel. It s a very dirty sheet. It s an ancient radiator. I think that s room 201. I think someone lives in room 201. I won t be leaving that way. He looks completely out of it, but I should stilll stay out of his way, just in case. Examine walking He s watching the screen. Examine sitting not spoken What is that thing? They must be testing it on these people. That s probably what this place is for. It s not a hotel. It s a laboratory. I wonder what that thing does? No, I need to focus on finding Reza. Looks like she s sleeping. Sleeping again He looks like he s on drugs. Examine walking again He s sleeping. Heavily, by the sound of it. Examine sleeping He noticed me! Examine alert He hasn t noticed me. Yet. Examine walking not spoken I fooled him good. Examine spoken I d better hurry. He could wake up again at any moment. I don t think I hurt him. Badly. He s checking out his pizza. Examine checking out pizza It s a digital padlock. It looks pretty new. A padlock. The gate s locked with a chain and a padlock. That window leads into the hotel. There s blood on the door. It s just a container. It s positioned right underneath that window. Convenient. Examine under window I think I can push it even further. Examine pushed There s a metal bar on the side. It looks like it s connected to the wheel. There s a metal bar on the side. The front entrance to the Victory Hotel. These people look like they ve given up all hope. I don t think he even notices that I m standing right next to him. She s soaked through, poor girl. Strange to see something like that in the midst of all this garbage and decay. Isn t there a place where these people can sleep and eat? Life isn t fair. No one should have to live like this. He can t possibly be much older than twelve. I wish there was something I could do for these people. A vending machine filled with...chewing gum. Cable car. That s pretty original. It s the ticket reader for the cable car. People here look a lot happier than in Newport. There are lots of professionals in this city. It s a staff-only entrance. It probably leads into the main building...which is exactly where I need to be. It s a biometric scanner. It s a staff entrance into the other part of the building. The only way I m getting past that is if Olivia gives me a hand...not literally, of course. That would be so, so wrong. She doesn t know that I m standing right behind her. He s in so much trouble right now. I feel a bit guilty...but it was for a good cause. Examine after robot He s very shy. Maybe there s a way I can make friends with him? Cleaning bot. I feel terrible...but it s not like I had a choice. She ll be fine. I hope. Examine knocked out She s not carrying anything useful. Use knocked out It s a ventilation duct used by the bots to connect between different parts of the building. It won t budge. I ll need to wait until that bot comes back. Use closed This is my chance! I ll have to hurry. It must be a taxing job, guarding these, um, precious exhibits from the prying hands of tourists. He s not very happy right now. How can anyone be so fascinated by these exhibits? They re basically just ads for WATIcorp. I wouldn t want to get on her bad side. Examine angry That s so scary. No wonder they had to discontinue that model. That s probably Damien Cavanaugh. Security bird. That s the Dreamcore. It s huge. It looks like a living, breathing creature...and in a way, it is. It s like being close to an alien creature. Elevator. That s probably the only way out of here. Examine use Let s see... This controls the access to the decontamination chamber between the observation platform and the core itself. This panel opens the door to the decontamination chamber. It s locked for access. I m guessing the security here is top notch. Even Liv s software won t stand a chance. I can t access this. Even Liv s software wouldn t stand a chance against the security systems WATI employ. The console s locked. I m guessing this console s as protected as they get. If I touch that, the shit will definitely hit the fan. It s securely locked. The plan was to head back up that way...but I think the plan s changed. Examine alarm This console is locked, and the protection is probably airtight. Without Liv around, I wouldn t risk trying to access it. This console s locked tight. Those might be the capsules I m looking for. It s a remote controlled robot arm. This is the security office. That looks like the security office. That looks like the cybernetics office. That looks like the laboratory. That looks like the medlab. There. That should allow him to shut off the power to the office doors. There s something in that wall. Examine far undiscovered There s a sliding panel here, and it s marked...PS-A1. That s the one. Examine close undiscovered It s a panel marked PS-A1. Examine close undiscovered again It s open. I can access the closed circuit system now. He seems pretty wrapped up in his work. Unless I get too close, I should be able to sneak by him. She looks very preoccupied. If I keep quiet and out of sight, I should be able to get past her. Commandoes... Not again. That s a full body scanner. Who would be stupid enough to leave a datakey... ...in a jacket pocket. Yes. Idiots. It s a small biometric scanner. Put your specimen in a capsule, stick it in there, and it reads all the relevant biometric data. It s a small biometric scanner. That s a biometric scanner. Several lights are red now. I guess that means Damien s done his job. Examine hacked Spider. There are so many different trees in here. It s like a zoo for plants. This garden is really well taken care of. It s a...a man. He s submerged in a liquid and connected to machines. Who is he? Examine again before talking That man killed Reza. He will pay for it. Examine after talking Those wires and cables connect that man to those machines. Everything is so colourful. This is such a beautiful garden. What kind of bird is that? There are all kinds of birds in here. The water is teeming with fish. I think that s carp. There s so much life in here. This must be a closed system. Those things probably regulate the air. It does feel a lot fresher and cleaner in here than it did outside. Those things probably regulate the air in this place. I don t have much time, I need to make up my mind. It s a crazy idea, but...what if I used that bot to make an escape? The twins are right behind me! Examine unblocked That should hold them off for a few moments, but I don t have much time. Examine blocked They re trying to break the door down! Examine banging They re here! I see the city streets down there. It s not that far. Damien s been so kind, letting me stay here in his apartment. That s Damien s console. Hey, there s a...a message for me. It must be from Damien. Examine near message He s got some girl s picture as his screensaver. I never asked him who that is... Damien s console. I m not going to rummage through his private files. Use no message That thing s been on most of the day while I ve been staying here. Hey, it s therapy. I never thought I d say it, but I think I m getting sick of watching that thing. That s the bathroom through there. I don t need to go right now. Dressed like this? I think not. Open I need to find something a bit warmer to wear. Open again Where would I go? Open no message I don t think this has been cleaned in a while. Damien definitely needs a house bot. Damien orders in. He claims he s a great cook, but I m just not seeing it. It s grey out. Looks like it s cold still. Cold and grey. Damien? Waking up Uh, my head... Damien? Are you here? He promised me he d stay. That must be the Guardian. The Guardian. Examine close before talk The White Dragon said the portal will take us back to Marcuria - but I need to speak with the Guardian first. I wonder why the White Dragon told Crow that he s needed. Needed for what? I know that bottomless abyss. What a vibrant colour. It s...postcard pretty. What are those things? They must have something to do with the Balance. Everything here does. It s just too complicated with these hive mind things. One body, one person, that s what I say. He s one of the Dark People. What strange creatures. They look like some sort of spider. You know, I never realised it before, but these shadowships are actually seed pods from their massive trees. That s incredible.
https://w.atwiki.jp/matchmove/pages/58.html
Constraining Camera Position and Motion Sometimes you may already know some or all of the path of the camera, for example, · it may be available from a motion controlled camera, · the camera motion may be mechanically constrained by a camera dolly, · you may have measured some on-set camera data to determine overall scene sizing, or · you may have already solved the camera path, then hand-edited it for cleanup. SynthEyes lets you take advantage of this information to improve a solution or help set up the coordinate system, using the trajectory lock controls at the bottom of theSolver Control Panel, theHard and Soft Lock Controldialog, and the camera s seed path information. Warning using camera position, orientation, and field of view locks is avery advanced topic. You need to thoroughly understand SynthEyes and the coordinate system setup process, and have excellent mental visualization skills, before you are ready to consider camera locks. Under no circumstances should they be considered a way to compensate for inadequate basic tracking skills. Concept and Terminology SynthEyes allows you to create locks on path (X, Y, and/or Z translation), rotation (pan, tilt, and roll), and field of view. You can lock one or more channels, and locks are animated, so they might apply to an entire shot, a range of frames, or one frame. Each lock forces the camera to, or towards, the camera s seed path. The seed path is what you see before solving, or after clearing the solution. You can see the seed path at any time using theView/Show seed pathmenu control, or the button on the Hard and Soft Lock Control dialog. Locks may be hard or soft. Hard locks force the camera to the specified values exactly (except if Constrain is off), similar to pegged trackers. Soft locks force the camera towards the specified value, but with a strength determined by a weight value. Locks are affected by theConstraincheckbox on the solver panel, similar to what happens with trackers. With Constrain off, locks are appliedaftersolving, anddo notwarp the solution. All soft locks are treated as hard locks. With Constrain on, locks are applied before and during solving, soft locks are treated as such, and locksdowarp the solution. Field of view locks are not affected by Constrain, and are always applied. Camera position locks are more useful than orientation locks; we’ll consider position locks separately to start with. You can also constrain objects, but this is even more complex. Basic Operation Set up generally proceeds as follows 1. If you have not already attempted to solve the scene, go to step 5. 2. Go to the Solver Control Panel. Click themorebutton to bring up theHard and Soft Lock Controlpanel. 3. Position and animate the camera as desired, creating a key on each frame where you want the position to be constrained. The Get buttons can help with this. 4. Turn on the L/R, F/B, and/or U/D buttons as appropriate depending on the axes to be constrained — these stand for left/right, front/back, and up/down respectively. 5. Adjust the Constrain checkbox as needed. The camera position constraints behave similarly to constraints on the trackers if the Constrain checkbox on, they are enforced exactly during the solve, but if the Constrain checkbox is off, they are enforced only loosely after the completion of the solve. Loosely means that they are satisfied as best as can be, without modifying the trajectory or overall RMS error of the solution. The result of this process is to make the camera match the X, Y, and/or Z coordinates of the seed path at each key. This basic setup can be used to accomplish a variety of effects, as described above and covered in more detail below. At the end of the section, we’ll show some even more exotic possibilities. Using a Camera Height Measurement Suppose the camera is sitting on a moving dolly in a studio, and you measured the camera (lens s) height above the floor, and you have some trackers that are (exactly) on that floor. You can use the height measurement to set up the scene size as follows 1. Show the seed path View/Show Seed Path menu item 2. At frame 0, position the camera at the desired height above the ground plane 2 meters, 48 inches, whatever. 3. Turn on the U/D button on frame 0,turn it back off at frame 1. 4. Set up a main coordinate system using 3 or more trackers on the floor. Make sure tonotcreate a size constraint in the process if using the *3 button on the Coordinate system panel or the Coord button on the Summary panel, select the 2nd(on-axis) tracker, and in the Coordinate panel, change it from Lock Point (at 20,0,0) to On X Axis or On Y Axis. 5. Solve with Go! on the Solver panel Note that you can use whatever more complex setup you like in step 4, as long as it completely constrains both the translation and rotation, but not the size. WARNING You might be tempted to think “Hmmm, the camera is on a dolly, so the entire path must be exactly 43 inches off the floor, let me set that up!” (by not turning U/D back off). But this is almost alwaysa bad idea! The obvious problem is that the dolly track is never really completely flat and free of bumps. If the vertical field of view is 2 meters, and you are shooting 1080i/p HDTV, then roughly your track must beperfectly flat to 1 millimeteror so to have a sub-pixel impact. If your track is that flat, congratulations. The conceptually more subtle, but bigger impact problem is this a normal tripod head puts the camera lens very far from the center of rotation of the head—roughly 1 foot or 0.25 meter. As you tilt the head, the position of the camera increases and decreases up to that much in height! Unless your camera does not tilt during the shot, or you have an extra-special nodal-pan head, the camera height will change dramatically during the shot. A Straight Dolly Track Setup If your camera rides a straight dolly track, you can use the length of that track to set the scale, and almost the entire coordinates system if desired. While the camera height measurement setup discussed above is simpler, it is appropriate mainly for a studio environment with a flat floor. The dolly track setup here is useful when a dolly track is set up outdoors in an environment with no clearly-defined ground plane—in front of a hillside, say. For this setup, you should measure the distance traveled by the camera head down the track, by a consistent point on the camera or tripod. For example, if you have a 20’ track, the camera might travel only 16’ or so because there will be a 2’ dead zone at each end due to the width of the tripod and dolly. Measure the starting/ending position of the right front wheel, say. Next, clear any solved path (or click View/Show seed path), and animate the camera motion, for example moving from 0,0,0 at the beginning of the shot to 16,0,0 at the end (or wherever it reaches the maximum, if it comes back). You now have two main options A) mostly tracker-based coordinate setup, or B) mostly dolly-based coordinate setup, for side-of-hillside shots. For setup A, turn on only the L/R camera axis constraint checkbox on the first and last frames (only). The X values you have set up for the camera have set up an X positioning for the scene, so when you set up constraints on the trackers, they should constrain rotation fully, plus the front/back and up/down directions—but not the L/R direction since that would duplicate and conflict with the camera constraint (unless you are careful and lucky). For setup B, turn on L/R, F/B, and U/D on the first and last frames (only). You should take some more care in deciding exactly what coordinate values you want to use for each axis of the animated camera path, because those will be defining the coordinate system. [By setting keys only at the beginning and end of the shot, you largely avoid problems with the camera tilting up and down—at most it tilts the overall coordinate system from end to end, without causing conflicting constraints.] If the track is not level from end to end, you can adjust the beginning or ending height coordinate of the tracker as appropriate. But usually we expect the track to have been leveled from end to end. With X, Y, and Z coordinates keyed at the beginning and end of the shot, you have already completely constrained translation and scale, and have constrained 2 of the 3 rotation axes. The only remaining unconstrained rotation axis is a rotation around the dolly. To constrain this remaining rotation requires only a single additional tracker, and only its height measurement! On the set, you should measure the relative height of a trackable feature compared to the track (usually this will be to the base of the track, so you should also measure the height of the camera versus the base). You can measure this height using a level line (a string and a clip-on bubble level) and a ruler. On theCoordinate System Control Panel, select the tracker and set it toAny XY Planeand set the Z coordinate (for Z-up mode), or selectAny XZ Planeand set the Y coordinate (for Y-up mode). Now you’re ready to go! This setup is a valuable one for outdoor shots where a true vertical reference is required, but the features being tracked are not structured (rocks, bushes, etc). Again, we recommendnot trying to constrain the camera to be exactly linear, though you can easily set this up by locking Y and Z to be fixed for the duration of the shot, with single-frame locks on X at the beginning and end of the shot. This setup forces the camera motion to be exactly straight, but moving in an unknown fashion in X. Although the motion will be constrained, the setup willnotallow you to use fewer trackers for the solve. Using a Supplied Camera Path This section addresses the case where you have been supplied with an existing camera translation path, either from a motion-controlled camera rig, or as a result of hand-editing a previous camera solution, which can be useful in marginal tracks where you have a good idea what the desired camera motion is. After editing the path, you want to find the best orientation data for the given path. If you have an existing camera path in an external application (either from a rig, or after editing in maya or max, for example), typically you will import it using a standard or custom camera-path import script. Be sure that the solved camera path is cleared first, so that the seed path is loaded. If you have a solved camera path in SynthEyes, you can edit it directly. First, select the camera, and hit the Blast button on the 3-D panel. This transfers the path data from the solved path store into the seed path store. Clear the solved path and edit the seed path. Rewind and turn on all 3 camera axis locks L/R, F/B, and U/D. Next, configure the solver s seeding method. This requires some care. You can use the Path Seeding methodonly if your existing path includes correct orientation and field of view data. Otherwise, you can use the Automatic method or maybe Seed Points. The Refine mode is not an option since you have already cleared the solution to load the seed path, and don’t have orientation data anyway or you’d use Path Seeding. You can use Seed Points mode if you are editing the path in SynthEyes—but be sure to hit theSet Allbutton on the Coordinate System Setup Control panelbeforeclearing the prior solution, so that the points are set up properly as seeds. You should probablynotmake them locks, unless you are confident of the positions already. With the camera path locked to a complex path (other than a straight line), no further coordinate system setup is required, or it will be redundant. You can solve the scene first with the Constrain checkbox off, then switch to Refine mode, turn on Constrain, and solve again. This will make it apparent during the second solve whether or not you have any problems in your constraint setup, instead of having a solution fail unexpectedly due to conflicting constraints the first time. Camera-based Coordinate System Setup The camera axis constraints can be used in small doses to set up the coordinate system, as we’ve seen in the prior sections. Typically you will want to use only 1 or 2 keys on the seed path; 3 or more keys will usually heavily constrain the path and require exact knowledge of the camera move timing. Roughly, each keyed frame is equivalent in effect to a constrained tracker located at the same spot. You should keep that in mind as you plan your setup, to avoid under- or over-constraining the coordinate system. Soft Locks So far we have described hard locks, which force the camera exactly to the specified values. Soft locks pull more gently on the camera path, for example, to add stability to a section of the track with marginal tracking. In either case, for a lock to be active, the corresponding lock button (U/D, L/R, pan, etc) must be on. The weight values on the Hard and Soft Lock dialog controls whether locks are hard or soft. If the weight is zero (the default), it is a hard lock. A non-zero weight value specifies a soft lock. Weight values range from 1 to 120, with 60 a nominal neutral value. However, we recommend that when creating soft locks, you start with a weight of 10, and work upwards through 20, 30, etc until the desired effect is obtained. Weight values are in decibels, a logarithmic scale where 20 decibels is a factor of 10, and 6 decibels is a factor of two. So 40 is 10 times stronger than 20, and 26 is twice as strong as a weight of 20. (Decibels are commonly used for sound level measurements.) A lock can switch from hard to soft on a frame-by-frame basis, ie frames 0-9 can be hard, and 10-14 soft. You may need to key the weight track carefully to avoid slow transitions from 20 down to 0, for example. Soft locks are treated as such only when the Constrain check box is on it is the solver that distinguishes between hard and soft locks. If Constrain is off, the locks will be applied during the final alignment, when they do not affect the path at all, just re-orient it, so soft locks are treated the same as hard locks. Note that the soft lock weight isnota path blending control. You might naively be tempted to set up a nominal locked path, and try to animate the soft lock weights expecting a smooth blend between the solved path and your animated locked path. But that is not what will happen. The weight changes how seriously SynthEyes takes your request that the camera should be located at the specified position—but it will affect the tracker positions and everything else as well. Orientation Locks You can apply Pan, Tilt, and Roll rotation locks as well as translational locks. They can be used for path editing and, to a lesser extent, for coordinate system setup. For example, a roll-angle constraint can be used to keep the camera forced upright. That can be handy on tripod shots with large pans small amounts of lens distortion can bend the path into a banana shape; the roll constraint can flatten that back out. If the camera looks in two different directions with the roll locked, it constrainstwodegrees of freedom only a single pan angle is undetermined! For example, if looks along the X axis then along the Y axis, both with roll=0. You might want to think about that for a minute. The perspective window s local-coordinate-system and path-relative handles can help make specific adjustments to the camera path. Inherently, SynthEyes is not susceptible to “gimbal-lock” problems. However, when you have orientation locks, you are using pan, tilt, and roll axes that do define overall north and south poles, and you may encounter some problems if you are trying to lock the camera almost straight up or down. If this is the case, you may want to change your coordinate system so those views are along the +Y and –Y axes, for example. Object Tracking You can also use locks on moving objects, in addition to cameras. However, there are several restrictions on this, because moving objects are solved relative their hosting camera path, but the locks are world coordinate system values. If a moving object has path locks, then 1. the host camera must have been previously solved, pre-loaded, or pre-keyed, and the camera solving mode set to Disabled, 2. the translation axis locks must either all be on, or all off, and 3. the rotation axis locks must either all be on, or all off. Normally, when SynthEyes handles shots with a moving camera and moving object, it solves camera and object simultaneously, optimizing them both for the best overall solution. However, when object locks are present, SynthEyes must be able to access the camera solution first, in order to be able to apply the object locks. With the camera path, SynthEyes changes the translation and rotation axis lock values into a form usable for the object, but the individual axes are no longer available, and either all must be constrained, or none. SynthEyes will automatically turn all the enables on or off together if a moving object is active. Object locks have very hard-to-think-about impacts on the local coordinate system of the trackers within the object. Most object locks will wind up over-constraining the object coordinate system. We recommend that object locking be used only to work on the object path, not to try to set up the object coordinate system.
https://w.atwiki.jp/xbox360score/pages/612.html
Skate 2 項目数:60(46 + 4 + 6 + 4) 総ポイント:1500(1000 + 100 + 150 + 250) 難易度:★★★☆☆(前作をプレイしていない人は★+1) 2021年11月16日より互換対応開始 2021年12月10日、サーバー閉鎖 2023年2月7日にxbox360のマーケットプレイスでの配信停止。 「Active Skater」「Online Legend」「Spare Parts」が難関。 特にオンライン関係の実績は過疎が問題になりそう。 それ以外はゲームを遊びこめば取れるものが多いが、ゲームの難易度自体が高めなので注意。 追加実績500を全て取得するにはDLCが3つあり計1040MSP(1030円と2.99ドル)必要。 Maloof Money Cup Packは国内未配信なので北米アカウントと北米MSPが必要になる。 攻略wiki http //www42.atwiki.jp/skate2/ On Top Of The World Careerモードで、サン・バネローナの頂点でInvertをキメる 20 Skater Evolved Careerモードでスケートボードから降りる 5 I Like To Move It Careerモードでオブジェクトを動かす 5 That's the Way Danny Wayの全てのフィルムチャレンジに勝利 20 GVR Champ GVRコンテストを優勝 20 Big Air Champ San Van-a-Slamma大会で優勝 50 Still Alive? CareerモードのDeath Raceで勝利 5 Race Hero Careerモードで全てのレースで勝利 20 Where's my TV show? Rob Dyrdekのチャレンジを全てクリア 20 SBM Cover The Skateboard Magの表紙をとれ 30 Thrasher Cover Thrasherの表紙をとれ 30 Meet Slappy Slappyと対面 5 How you like them apples? 全てのプロの電話番号を貰う 20 Anyone Else? Throwdownチャレンジで全てのプロに勝利 20 New San Van Hero Mikeyを10回使う 20 Perfectionist Careerモードで全てのパスをクリア 50 Pull the Plug Careerモードで全てのプール、噴水、ダムの水を抜く 15 Real Estate Mogul Careerモードで全ての土地を買い取る 50 Spare Parts 全てのHall of Meatパスをクリア 50 Fully Sponsored 全てのパーツのスポンサーをつける 50 Urban Legend Too Careerモードの全てのSpotを支配 40 The Architect 作成したスポットをアップロード 5 The Critic コミュニティのビデオと写真を10個評価 10 Pwn some n00bs オンラインランクマッチに勝利 15 Active Skater 作成したスケーターで全てのオンラインFreeskateチャレンジをクリア 20 Online Legend オンラインランクをLegendまで上げる 50 Online Pro オンラインランクをProまで上げる 25 Amateur Skater オンラインランクをAmateurまで上げる 15 Graphically Extreme カスタムグラフィックでスケーターをカスタマイズする 5 Dethrowned コミュニティスポットをダウンロードして支配 20 Skater's Choice オンラインランクマッチでSkater's Choice Awardを受賞 20 Juggling Chainsaws Careerモードで高速クラッシュ 20 Skitched Up Careerモードで合計1000メートルか3000フィートのスキッチをする 5 Make it Big! Big Blackを10回使う 15 Running Man Careerモードで徒歩で警備員から逃げ切る 5 DIY Careerモードで30分間オブジェクトを動かす 35 Good Samaritan Careerモードでスケーターを追いかけている警備員を押し倒す 20 Need for Speed Careerモードで5秒以上MAX速度で滑る 50 Sandbag Careerモードの一つのクラッシュで骨を15本骨折 20 Gender Bender スケーターの性別を変更 5 Grasshopper Careerモードで10メートルか30フィートのグラス・ギャップをキメる 20 Stairmaster Careerモードで12メートルか36フィートの階段ギャップをキメる 20 Uninsurable Careerモードで骨を合計100本骨折 20 Playing Nice Together 作成したスケーターでFreeskate Activityを一つクリア 5 Cooperation is key 作成したスケーターで50個のFreeskateチャレンジをクリア 10 秘密の実績 Taste The Mongo careerモードでMongo Pushを合計5000回する 20 DLC追加実績 Dyrdek's Fantasy Plaza Pack(400MSP / 515円):100 A Budding Star Rob's Fantasy Factoryの全てのフィルムチャレンジをクリア 25 Jam Fantasy Rob's Fantasy Factoryのジャムコンテストで優勝 25 秘密の実績 No Hard Hat Required 建設パイプの天辺を触る 25 Skylight Superstar 吹き抜けからPlazaに飛び降りる 25 San Van Classic Pack(400MSP / 515円):150 Film School Dropout オリバー小学校の全てのフィルム/フォトチャレンジをクリア 25 Parking Lot Attendant 駐車場の全てのフィルム/フォトチャレンジをクリア 25 Centar of Attention コミュニティセンターの全てのフィルムチャレンジをクリア 25 Best in Class オリバー小学校のベストトリックコンテストで優勝 25 Best Trick Valet 駐車場のベストトリックコンテストで優勝 25 Community Jammer コミュニティセンターのジャムコンテストで優勝 25 Maloof Money Cup Pack(240MSP / 2.99ドル):250 #1 Maloof Goof Win the Maloof Money Cup street contestMaloof Money CupのStreetコンテストで優勝する 100 Vert Vertigo Win the Maloof Money Cup vert contestMaloof Money CupのVertコンテストで優勝する 100 秘密の実績 BOOM Goes The Dynamite Ride out the left camera crane左のカメラクレーンに乗る 25 Pitch a Tent Get on top of the tent in the half-pipeハーフパイプにあるテントの上に乗る 25 DIY トータルで30分オブジェクトを動かせばOK。 オブジェクトを移動させる必要は無く、オブジェクトを掴んでいるだけで条件は満たされる。 なので、テープなどでRBボタンを固定して30分放置で解除可能。 Pull the Plug 2chスレよりプールの場所。 G.E.D. High Pool - To the right of E and 4 Think Pink Pool - Middle of C-D and Middle of 3-4 Community Pool - Left of E and 3 Do-Drop Inn Pool - Middle of E-F and just below 3 Poop Deck Pool - D 8 Old Pool - D and just above 4 Party Pool - E and middle of 3-4 噴水は教会やSpotになっていたりチャレンジで使う事もあるので、ゲームの進行上で水を抜くことになる。 1箇所だけ噴水がチャレンジマップE-6付近のわかりづらい場所にあるので注意。 参考マップ→http //i722.photobucket.com/albums/ww225/mediadump/Skate%202%20guide/pools.jpg Urban Legend Too 参考マップ→http //i722.photobucket.com/albums/ww225/mediadump/Skate%202%20guide/spots.jpg 2度目のターゲット(Killedに必要なポイント)は超える必要がないので意外と簡単である。 On Top Of The World 「Race Hero」を解除した後に開放される場所で解除することになるため 「Race Hero」を先に解除しなければならない。 山頂にあるハーフパイプ状の場所でハンドプラントをキメれば解除。 Race Hero 山道でのデスレースは近道が多く、時間が追加されるゲートを数個程度なら見逃してもある程度は余裕があるので 常に1位をキープするようにするとよい。 あくまで筆者の個人的感覚なのだが、お金に若干の余裕が出来てスポンサーを得ている段階でデスレース系に参加するのが望ましい。 賭け金最大+スポンサー効果で賞金が跳ね上がるのでアイテムコンプや「Real Estate Mogul」の解除難易度を下げる事が可能。 Graphically Extreme Skate 2公式サイトにあるデザインをゲーム側に送り カスタムグラフィックを使ったボード、Tシャツ、帽子いずれか1個を作ればOK。 オンライン環境がなくてもカスタム用のメーカーロゴでも解除可。 Juggling Chainsaws スピードが乗っている状態で高所からジャンプして自爆。 運がよければSandbagも同時解除される…かも。 Running Man 画面中央に「Freedom!」(日本語版は「自由だ!」)と表示されれば逃げ切ったことになる。 デッキに乗ったまま逃走し、警備員と距離が取れていることを確認してYボタンでデッキから降りて そこから先を徒歩で逃げても解除に必要な条件を満たすことができる。感覚を掴めば簡単に取れるはず。 Good Samaritan ほとんど運に近い。NPCスケーターを追いかけている警備員を発見したらチャンス。 プッシュボタンを押しっぱなしにすると警備員よりも若干速く走行することができるので 後方から追いかけて追突してやればOK。 黄色の服を着た警備員がキレやすいので、プラザ・デュ・モンゴ周辺がおすすめ。 まず歩きで特定の警備員に狙いを定める(歩いていてもぶっ倒される事があるので少し遠巻きに)。 そして時折通りかかるNPCスケーターを追い始めたら、デッキに乗って追いかけてオーリーでぶつかって倒せばOK。 プラザ・デュ・モンゴのランプ状になった太い柱のところでNPCスケーターはトリックをキメるので 追いかけてきた警備員もそこで止まって待ち構えることになるので、そこを狙えばよい。 Need for Speed 「Skitched Up」を解除するときに同時に解除可能。 解除できなければダムなどの高所からダイブするのがオススメ。 Skitched Up 自動車の後ろでRBを押すとスキッチ。 Grasshopper Propertyから購入出来るメガコンパウンドのファン・トラックがオススメ。 テレポートで移動し、目の前にあるギャップ(赤いレールがある所)を飛び越える。 飛んだ結果30フィート以上のグラスギャップと画面に表示されても草地に着地していると解除とはならないので しっかり助走を取って完全に飛び越える。 Stairmaster Own the Spotのザ・ウォールにある階段がオススメ。 最上段(階段にコンクリ板が被さってる所)で助走して、鎖のグラフィティの壁を使って下段に折り返しスピードを付ける。 そして、2セット目の階段を飛び越えれば解除に十分な距離を飛べているはず。 Anyone Else? 携帯電話(LBボタン)からスロウダウンで開始し、全てのプロにS.K.A.T.Eで勝利すれば解除。 S.K.A.T.Eはギャップの手前にオブジェクトを置いておけば、プロは何故か避けて通れず歩いてオブジェクトを乗り越えて そのままギャップも歩いて行きミスしてくれるので、特にトリックに気を使うことなく一方的に勝利出来る。 ロケーションは、ギャップが楽で近くにオブジェクトもあるアルファベット・ヤードがオススメ。 また、プロは180以上のTriple/Quad flipは出せないので、高さのあるBoneyardでこれら24種類の中から5つのトリックを出すことでも簡単に勝利できる。 Skater's Choice 1人ずつ順番にメイクしていくタイプのルールで、部屋に3人以上いるときにボタンで対戦相手を評価出来るようになる。 ゲーム終了時に、この評価を最も多く貰っていると結果画面にマークが付いて解除となる。 Online Legend Legendまでランクアップするには、Iconランクになった上でさらに2800EXP(累計で5000EXP)必要になる。 1~3位を行き来するレベルのスキルだと200試合程度はすることになる。万年最下位レベルだとその数倍…。 S.K.A.T.Eが比較的高ポイントを貰えるが、1マッチにかかる時間や得意分野も考慮して選ぶべきかと。 No Hard Hat Required Rob Dyrdek's Fantasy Plazaのマップ左下の端にある、大きな土管の中を1回転するように滑って天井部分に達すれば解除。 Skylight Superstar Rob Dyrdek's Fantasy Plazaの建物屋上にある四角い吹き抜けから内部の事務所の屋根に降りると解除。 BOOM Goes The Dynamite Vertコンテストで使う大きなランプからハーフパイプに向かって飛び、左側のカメラクレーンでグラインドすれば解除される。 助走はプッシュ3回くらいで、黒いラインと赤いラインの境目くらいで飛べるように、ベストのタイミングでオーリーすればカメラクレーンの上まで飛べる。 Pitch a Tent ハーフパイプの上にある黒いテントの屋根に乗れば解除される。 上記のランプから飛んでハーフパイプに入り、そのままの勢いでテントの上へハーフパイプを飛べばOK。 ハーフパイプで飛んで折り返してテントの方へ向かうより、Uターンするようにして直接テントの方へ向かった方がスピードを維持出来て楽。
https://w.atwiki.jp/gamemusicbest100/pages/9910.html
StepManiaX 機種:AC 作曲者:多数 開発元:Step Revolution 発売年:2017 概要 Step Revolution社から販売されている音楽ゲーム。 読み方は「ステップマニアクス」。 アーケードゲームではあるが個人による購入も可能であり、日本でもごく限られたゲームセンターで遊ぶ事ができる。 楽曲は版権曲やアレンジ曲が多いものの、書き下ろし曲も複数曲収録されている。 またDDRの元サウンドプロデューサーだった前田尚紀氏がコンポーザーの1人として参加している。 収録曲 公式表記に準拠 アレンジ曲のアーティスト名は原曲者の名前が使用されている点に留意 曲名 アーティスト名 補足 順位 All Of Me ~Handz Up Radio Mix~ Klubbmover Ba Be Loo Be La Kristeen Bagpipe A-Moe Be My Hero Freezer Birdie Doolittle Blow My Mind Alphadelta Bounce ~Melbournce Bounce Project Remix~ Crew 7 Burning Tonight Krystal Can t Get Enough Miradey Can t Let Go Jenna Drey Change The World Nathalie Jim Lukas Cowbell Rock Pyramyth Crazy Baby ~2008 Club Edit~ Fantasy Project Dabbi Doo Ni-Ni Dance Vibrations Elpis Dancing Circus Brisby Jingles Day After Day ~De-Grees Rmx Edit~ Rikah Don t Stop My Music Tonight David Dima Dream A Dream ~Cheeky Trax UK Remix~ Captain Jack Dreaming Rameses B feat. Holly Drummond Dynamo Oscillator X Emotion Smiley Endless Day Verona Everything is Changing ~Verano Remix Edit~ Rikah Firewalker Xenon Flight of The Bumblebee MonstDeath Frozen Fire Kbit Funny Love (Filatov Karas Remix) Dan Balan Get Down Kairo Kingdom Girlz Night Out ~Andy Harding Club Mix~ Jenna Drey Got The Rhythm Fracus Darwin feat. Becca Hossany Hard Fast Disco Darwin Hyper Hyper Smiley I Love You Baby Pandera In the Hall of the Mountain King KaW Indignation Auvic feat. Pipo Fernandez It Gets Better Eskimo feat. Maria Merete Joanna Crazy Loop Land of The Lost Banzai Licky Licky Crispy Lights Go Down Less Affair Link Line Asterisk Look Into My Eyes Rabih Lucky Star Miradey Made In China Vitas Sergey Pudovkin Medicine 2013 ~Crew 7 Edit~ Kim Leoni Mexi Mexi Mozquito Million Feelings Chriss Floren Monody TheFatRat feat. Laura Brehm Moonstone Virgill My Freedom Rayman Rave Nika Lenina Origin Stallian Party All Night KaW Sam-I-Am Party People ~KaW Hands Up Edit~ Oscillator X Party People (Turn it Up) Andy Stroke Personal Reality Auvic Ready To Fly Aleky Remember December Smiley Reminds Me of Home Stallian Revenge MonstDeath Rockslaves Leo Pigot Rinat Crane Run Away Avejio Save My World Stephy Secret 2K12 Rene Ablaze feat. Jacinta Shoulda ~Tale Dutch House Remix~ SUNN Show Me Your Moves Auvic feat. Pipo Fernandez Start Paws Oscillator X Sun Goes Down Landomania That Night ~D-R Remix~ Eskimo and Icebird The 7th Element (Zariis 2015 Remake) Vitas The Last Time Zariis The Rainmaker ~Remix Edit~ Doug Laurent Think Thousand Thoughts Auvic Time is Ticking Elpis feat. Black Elway Time To Fly Cindy Cooper Twins Martin Eriksson feat. Ellee Unity TheFatRat We Are The Sun Maui Crizz feat. Gerald G. What Happened To Love (Mig Rizzo Club Mix) Denine Who KaW Y Don t U Deeper Territory Zodiac Banzai All It Takes Zariis Hurry Up! MonstDeath Sinxorder MonstDeath Big Blue Bouncy Ball Mr. Blue Ignition Starts KaW One Step Further Jenna Drey Surf Hyper Potions Agent Blatant Ernest + Julio Bloodrush TeknoDred Da Roots Mind Reflection Determinator Dust Devil Disconnected Disco Kid Whatever Drifting Away Filo Bedo Fleadh Uncut Ian Parker Flying High Filo Bedo Gallecode Novus Go 60 Go Takoyaki Hispanic Panic Chucho Merchan Holy Guacamole Chucho Merchan I Think I Like That Sound Kid Whatever Ize Pie Headtwist Pump Land of the Rising Sun Spacekatz My Life Is So Crazy Initial P Psalm Pilot Jason Creasey Reactor Jason Creasey ROM-eo Juli8 Nina Soapy Bubble Fragmentz Spin Chicken Freebie The Bean Temple of Boom Yannis Kamarinos This is Rock and Roll DJ Zombie While tha Rekkid Spinz DJ Zombie Chica Bomb Dan Balan Crazy Loop (Mm Ma Ma) Crazy Loop I Feel Sun Gyrlie Paradise Smiley Pop4 (Darwin Remix) Vibes Wishdokta Ra Banzai Bad 4 My Health Bassmonkeys Soulsilver feat. J.D. ROX Get Busy Bassmonkeys Bianca Lindgren I ll Show You Loving Bassmonkeys feat. Natasha Anderson Click Bait S3RL Feat. Gl!TCH Dies Irae Jason Creasey Ladybug Coconut Paranormal Inspector K Sunshine Triple J Sweet World Omega Men Darkness Sanxion7 Eternus Sanxion7 Feel The Melody S3RL feat. Sara Gargoyle Sanxion7 Mellow Rikki DAZ Pink Fuzzy Bunnies Wonderboy Rainspark Sanxion7 Zenith Sanxion7 Be Alive (Raaban Inc. Remix) Stian K Boom Boom Dollars (Factory Eurotrance Remix) King Kong D Jungle Girls Do U Love Me DJ Doo Feels Just Like That Night Eskimo Icebird Feat. Maria Merete Hanky Panky (E=MC2 Mix) Jenny Rom July (EuroMix) Smiley The Beginning DJ Doo Utopia Smiley Xuxa Smiley Ari Oh Jenny Kee Beautiful Man Radiorama Become Astral Ash Astral Bumble Bee Bambee Coming Out Playmaker feat. Robina Dizzy Balduin Wolfgang Lohr feat. Alanna Never Gonna Make Morgana Waka Laka Jenny Rom VS. The Zippers Bang Bang Bang (Handsup Style Mix) DCX Dance Boom Boom (The Factory Eurobeat Mix) Tipsy Tipsy Flash In The Night Flashman Hero Miss Papaya Monolith Affinity Nightmoves Playmaker Senorita (Speedy Mix) Jenny Rom Typical Tropical Bambee Who R You (Beat You Edit) Leo Pigot Whoopsy Daisy Wolfgang Lohr Balduin feat. Sebastian Daws Young Forever Rebecca A Sign (Factory Eurobeat Team Mix) Tipsy Tipsy Esperanza KaW Ghosts (Vincent De Moor Mix) Tenth Planet Justify My Love Tess Move It Groove It KaW feat. Sam-I-Am Movin On Ellen Gee Pink Dinosaur Miss Papaya The Saint Goes Marching (Helix Remix 2020 Edit) The Saint Anubis Banzai Bandito Remorse Code Bye Bye Baby Balloon Joga Dam Dariram Joga Electric The DNC feat. Miss Amani Exotica Banzai Music Police CJ Crew KaW feat. Christian D. No Princess Lynn So Deep (Perfect Sphere Remix) Silvertear Stay Tess Summer Night In Seattle Jenna Drey We re Getting Faster Darwin feat. Fraz Your Own Destiny Entity Darwin Come On Now Miss Amani Devil Inside CRMNL Dam Dadi Doo Fantasy Project Dolphin Talk Pyramyth Fantasy Melissa Get Lifted Hot Kicks In My Dreams Rebecca Living In America Rose John Speed Over Beethoven Rose Classic Madness Fracus Darwin Dopamine (Tale Dutch Remix) You In Mind Equinox Mage Give Into Nutronic I Want Your Balalaika The Royal Eurobeat Orchestra of Bazookistan India s Glitch Kirill Gramada July Redux Entity Life Ride Pyramyth Mozart Is Back Rose My Baby Mama Anquette Nothing Gonna Stop Micky Silence Fracus Darwin Black Magic Matduke Crime Time CJ Crew KaW feat. Sedge Magic Mystery Tour KaW feat. Paula Terry Night of Fright (Spooky Edit) Justin Corza 420 Nightmare (Mage Remix) FSJ feat. Tara Louise Pretty Ugly (Jump Smokers Remix) Yenn Riddimino Philstep Sky High Lucyfer Warrior Kirill Gramada MAX428 Omega Arcade Run Perfect Sphere Bring Your Lovin Back Fracus Confusion Tess Doh! Tale Dutch Hypnosis (BanYa Buzz Edit) Colin Kiddy I m Crazy For Your Love Black Eva Into My Dream (Kaveh Azizi Remix) Lagoona No Nobody s Love Joga Bazookistan The Royal Eurobeat Orchestra of Bazookistan Electro Asia Re-venge Phoenix Megalovania (Chime Remix) Toby Fox My Generation (Fat Beat Mix) Captain Jack Nori Nori Nori Judy Crystal Russian Roulette Darwin Spaceman Bambee Lynn What Love Feels Like Leonail Csikos Post (2021 Yahpp Remix) BanYa Delirium (T2Kazuya Remix) Smiley Ma Huggies FIG Nico Sleator On My Own Anamanaguchi feat. HANA Show U Love Entity Take Me Away Fracus Darwin Twelve -True Fix- Riyu Kosaka Beethoven Virus (2021 Yahpp Remix) BanYa BU-44 Naoki Charlene Missing Heart Do It All Night (2003) E-Rotic Fall Silently Christoph Maitland Toby Emerson feat. Veela Hip Hop Jam Indiggo Kagami (T2Kazuya Remix) KaW Subzero Donk Terrorist vs. 204 Baby Love Me Judy Crystal Critical Hit MDK Forever Schustin Summer (Speedy Mix) Smiley Temple Of Love E-Rotic The Judgement Day Naoki feat. Riyu Kosaka Winter (2021 Yahpp Remix) BanYa Cryosleep Machinae Supremacy Destiny Smiley Dr. M (2021 Yahpp Remix) BanYa Glowing In The Night (90 s Radio Edit) Schustin In The Heat Of The Night E-Rotic Katana Fighter Electron Sky High DJ Miko Brutalisphere Machinae Supremacy Butterfly Swingrowers Cartoon Heroes (Speedy Mix) Barbie Young Melancholy Vision DE-SIRE Operator Miss Papaya Show U M-Project Step Up Amadeus (2021 Yahpp Remix) BanYa Test My Best E-Rotic Kick It Man KaW feat. DAZ If You Can Say Goodbye (Factory Team Mix) Kate Project Liquify Toby Emerson Paradox (StepManiaX Mix) Naoki feat. Riyu Kosaka Queen Of Light E-Rotic Ring The Alarm M-Project Signal Say What (Pisk Electro Swing Remix) Cut Capers Contrast Donk Terrorist vs. Daniel Seven Jukebox Swingrowers Kinky Boots Daz Sampson Nona op13 -type one- riddle Turn Me On E-Rotic Boomerang Miss V Canon D.2 Yahpp Closer To Heaven Neonne Give You Love (Bounce Enforcerz Remix) Daz Sampson Katya Ocean Grab It While We Can FantastixX Never Ending Story DJ AC/DC William Tell Quiqman 403 (Tokyo 2021) Naoki Underground Disco High (Scorccio Hot Vox Mix) Ultimate Heights Follow My Pamp Andrea Damante feat. Adam Clay Robot World Oscillator X Saberdance Quiqman Say Na Na Na Serhat Watch Out Victoria Business Wars Quiqman feat. Eternal JK Yoripi-chan Get Up n Move S K Insane (Stephan F Remix) Niko Noise Lay It Down (Fresno Edit) Tchorta Gui Boratto Pump The Rhythm (Scorccio Hot Edit) Ultimate Heights We Do This Dance Victoria Cyber-Kyoto- Re-venG Don t Stop S K Everybody 2 The Sun (Scorccio Hot Edit) Ultimate Heights High On Your Love Safura Kalinka Quiqman Silent Movie (Odd Chap Remix) Little Violet Take Take Miss V The Naughty Song Oscillator X Everybody Dance (Scorccio Hot Edit) X-Rated I Met You DJ Cosmin, Ole Bott, Ammagin feat. Simon Erics Katyusha (Russian Key Edit) Schustin Sing It Again Kirk Monteux Bubbles Tokyo Machine Outbreak Feint feat. Mylk Shiawase Dion Timmer The Shrimps Vertigini 7th Trip (80 s-00 s) NM underground artifact Fade Out Bensley Here For You PIXL feat. Q AILA Recovery JMCX Dystopia 2077 F.O.O.L The Forgotten Moonlight PIXY Press Start MDK The Call of Wilderness Electron Just Do It Swingrowers Liberar Vida Scorccia Meta Dreadnaught Machinae Supremacy We Got The Moves Electric Callboy Dark Fenix DE-SIRE Art City Virgill Bewitched PIXY Cosmic Drive Quiqman Have Fun Rameses B Pump It Electric Callboy All For One IVD x Dee Dee x Kenny Hayes How We Win FWLR Ooh La La La E-Rotic Stop Me Natsume Oki Villain PIXY VTubers Never Die! (RE-incarnation MIX) Naoki Eternal JK Yoripi-chan feat. Riyu Kosaka Para-Symptoms 165 Rainbow Rave Parade Chime Space Boy Rameses B, Feint Veela Trigger CraXy Bust It Out FWLR Demon s World CJ Crew Energizer ZiGZaG 初出:In The Groove 2 TURBO Tokyo Machine 動画
https://w.atwiki.jp/starcraft2cheese/pages/23.html
種類 地上 コスト M300 G200 T55 S6 属性 Armored, Biological, Massive HP 500 アーマー 1(防御研究Lv1につき+1)(Chitinous Platingで+2) 視野 9 移動速度 2.9531 3.83903(Creep上) 攻撃能力 地上範囲攻撃35(攻撃研究Lv1につき+3) 地上射程1 攻撃間隔 0.861 DPS 地上40.65(攻撃研究Lv1につき+1+3.5) 輸送コスト 8 シャキンシャキン ザーグの地上さいつよユニット めっちゃでかいうえに、HPは500のDPS40でまさに戦車 ザーグの性質上資源があれがこいつが10体くらいまとめて出てくる。ラーヴァの神秘やね おまけにこいつだけ防御を追加で+2できる。硬い・タフい・強いでまじさいつよ だがこいつの攻撃方法が突っ込んで顎をシャキンシャキンするだけの脳筋なので引き打ちされたらめっちゃつらい 前作ではライトに対してダメージがでなかったからマリーンに勝てないという悲しみを背負っていた。マリーン1体+メディバックに負けてたかんな… 今はどの相手にもダメージ35出せる超パワーアップが入ったので安心してつかおね でも相変わらず引き打ちには弱いから攻撃+3防御+3とこいつの防御+2研究はしっかり入れて運用しよね。 あほみたいに資源食うから出来るだけ長持ちさせよ 研究整えちゃえば範囲攻撃でマインだろうがタンクだろうがお構いなく突っ込んでマリーンどもを惨殺出来るぞ。 注意するところは空に攻撃できない。まぁこれで空も攻撃出来たらこいつだけでいいわな あと無駄にでかいからよく詰まる。坂では絶対戦うなよ?詰まってウロウロするだけのかわいいユニットになるぞ。ウロウロリスク() こいつで戦う時はとにかく広いところで戦え。こいつほど戦う場所でパフォーマンスに差が出るユニットも珍しいくらいだ 相手が狭いところに逃げ込んだら引き返して他のベースなりなんなりぶっ潰せ。豆腐のようにベースが割れてまじ爽快 基本的にこいつを出してくのはテランを相手してる時な。こいつにミュータとかインフェとか添えて突っ込むのが最近の流行り プロトスはイモータルとかいうくっそ不利な相手がいるから出すことが稀。というか出すな。吹き飛ばされるぞ あと目立たないけどこいつファンガル食らわないからZミラーでもたまに出てくる。インフェスターちゃんが一気に産廃と化す瞬間である。 どこぞの種族みたいにビームやら実弾やら使わず体一つで突っ込むまさに男のユニット 前作に比べてかなり優遇されたからぜひ使ってみよね。 バロウチャージなんてなかった 能力 Frenzied Frenzied Ultraliskは足止め、スタン、Neural Parasiteの影響を受けません。 アップグレード Chitinous Plating Chitinous_Plating 研究場所:Ultralisk Cavern Mineral150 gas150 time110 Ultraliskの防御が2増加します。
https://w.atwiki.jp/jasagiri/pages/80.html
Redis post memcached を狙う永続化可能なハイブリッド key-value storage。 RedisReadme RedisCommandReference RedisProtocolSpecification RedisReplicationHOWTO RedisFAQ RedisConfig 本家:http //code.google.com/p/redis/ :http //groups.google.com/group/redis-db redis-rb:http //github.com/ezmobius/redis-rb/tree/master redis-store:http //github.com/jodosha/redis-store/tree/master kvs共通インタフェース:http //github.com/wycats/moneta/tree/master サンプル:http //gist.github.com/86714 retwis-rb:http //retwisrb.danlucraft.com/login ネタ: http //antirez.com/post/Redis-my-new-open-source-project.html http //www.atmarkit.co.jp/news/200902/26/redis.html http //alug.blog.shinobi.jp/Entry/46/ http //antoniocangiano.com/2009/03/11/introducing-redis-a-key-value-database/ http //highscalability.com/product-redis-not-just-another-key-value-store http //www.programmersparadox.com/2009/06/02/redis-and-ruby/